1. |
Glazed Abyss
05:57
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2. |
Boneless Summer
08:16
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3. |
Skoal Flour
06:01
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4. |
Ecstasy to Extinction
10:19
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supported by 4 fans who also own “Bestial War Vomit Flower Child”
Rather than describe what this sounds like (a futile task), I will describe how it makes me feel. First it is much like white noise, blocking the world around me. It's just me and whatever I happen to be giving my attention to with no distractions or external worries. Then it is energizing and uplifting. I have more focus and energy. These soundscapes get me in the zone to help me concentrate on whatever I'm doing, whether it be washing dishes or scrolling Facebook. And it sounds damn cool too.
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Canadian producer and multi-instrumentalist galvanizes bowed guitars, cellos, and synths into an off-kilter exploration of heat and desire.
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Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs.
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Purposely scaled-back electronic music, “Intruder” is all about the texture of a few pieces of gear playing off one another.
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The Shenanigans-to-Tomfoolery Continuum
by Bridges of Königsberg
This experimental release from Bridges of Königsberg is electroacoustic noise at its most playful and expansive.
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The Summer Passed in Monotone
by Thom Nguyên
Thom Nguyên's textural drones don't sit static and heavy—instead, they unfurl and come alive over the course of this energizing new LP.
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A collection of unreleased material from Daniel Burke's beloved experimental project, spanning four decades of loud, off-kilter weirdness.
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